How many cameras should
I have at my wedding ceremony?
Now the bride, she sees budget and
usually it's Daddy's budget, and she sees her dress, and wonders how it is
going to look with her hair and the poofy dresses in lime green that she
squeezes her lovely, "I'll do it for you" bridesmaids into. The word chagrin comes to mind. I digress.
So now the bride seems to have her thoughts all pieced together, flowers
at the ready, clergy assigned, when someone else mentions video. Remember, brides don't much care about video
at this point. Uncle Mike has a
camcorder and an orange extension cord and even though he's a little nervous at
the trigger is willing, she's almost sure, to "film" the wedding on
vhs. Anyone but me wincing at this
point?
Back
to the bride. She hasn't thought about video, especially not DVD, and certainly
not a story with music and live action and reception highlights, and advice
from Aunt Smoochy who just came to the realization that she was actually at the
wedding and not at her...well...whatever.
We’ve established that the bride's head just isn't in the right game at
this point. She's off...and she's just
not coming back any time soon. She needs
to be eased into the idea.
However, the bride will change her
mind about not caring about the DVD story when fresh off of the honeymoon the
DVD arrives in it's new case, and the excitement builds as it is placed for the
first time into the DVD player...for a hands intertwined viewing by the new
bride and groom. At that time the bride
realizes the value of the video. The
value of the time spent searching out the best production company to tell her
most important story is now worth all the trouble. It is the beginning of a new generation. It is money very well spent.
There are plenty of "good"
and "reputable" video companies around. Some can tell a story, others can only shoot
video...some can do neither! Some still
call video "film" (little pet peeve).
It is up to the engaged couple to weed through the inexperienced
producers and rein-in, so to speak, the accomplished story-tellers. Once the process of choosing the company
based on budget, the look and feel of the wedding, or "style", and
availability is undertaken, the couple should be able to relax, listen to suggestions
that work for their individual needs, and trust the chosen videographer and
editor. When viewing samples of work the
couple should look for a few basic tell-tale signs of good production while
watching an entire wedding from beginning to end. No highlight reels accepted here.
How many cameras? Two camera ceremonies stand out from the
crowd of single camera weddings because they allow for a variety of angles in
the edit bay. From the moment the bride
and groom first connect their hands, known as "The Hand-off" of the
bride's father and his new son-in-law, to the first kiss and first introduction
as husband and wife, the close-up and medium shots combine and interplay to
tell a story of the couple's first journey together...one they will pass down
to their kids, and their kids’ kids..
One camera does not allow for smooth
transitions and movement. If the camera
gets jarred or bumped, and that does happen, two camera shoots allow the editor
to hide the problem, never letting it be seen. (Ever heard of cutting room
floor?) With single camera coverage,
"You get what you get, and you don't throw a fit!", as my kids are
fond of saying! Dissolves between two
cameras at precisely the right moment take the viewer comfortably through time. Cuts should be strategically placed with the
subjects movements, as a carry-through in the action. The transitions are then pleasing to the
eye. Bad transitions placed for no other
reason than to show off fancy effects or multiple camera angles are
discouraged, as is the "zoom happy" videographer’s footage. A good story-telling editor realizes that
simplicity is the key. Having a minimum
of simple effects tends not to be distracting to the story. Quick movements of the camera should be
avoided unless it is called for in the moment, usually reserved for the reception
coverage, if ever.
The couple should try not to skimp
when it comes to plunking down their hard earned dollar for secondary cameras
and a few hours of reception coverage.
During the ceremony, the second camera can be un-manned, saving some
dollars, placed right up the center isle with a medium shot of the
"action". The first camera
then roams, tripod or steadicam employed, covering every tight, wide, medium,
hard-to-get, under-over angle it can muster.
The videographer should keep in mind to stay out of the
"limelight", yet not be afraid to "get the shot". After all, this is a one time gig...and no
one gets to call "Do it again!" when the action is up! Quiet, friendly and unobtrusive are the best
ways to go.
The couple should remember that the
professional videographer, like the still photographer, has years of
experience, and heeding just a little advice from them can go a long way to
insuring a successful wedding video.
These professionals shoot weddings every weekend, sometimes on weekdays
too. Ask them many questions and don't
feel silly about it. It is your money,
your day, and you have final say at this stage in the game. Delegate well to the professional you have
chosen, and you won't need to think twice come wedding day. What a relief! Now, why is mother-in-law moving the flowers
around the stage? Go get her!
If you have questions or need
suggestions, and especially if you are planning a wedding in the Colorado area,
please give us a shout at www.Colorado-Wedding-Videos.com. Live a Little...Push Play! God Bless and congratulations!
